WHY SHOULD THE GALS HAVE ALL THE FUN?
We keep getting asked, when are we going to host a clothing swap for men? Well, here goes! Who’s in?!
Whilst our gals clothing swaps are not for men to attend, we feel that you guys will be more comfortable having a female opinion around. Feel free to bring your friends or partners. Us ladies promise we won’t come in your changing area 😉
Are you hoarding tons of clothes that you never wear? After all, styles and trends change so quickly; who knows what you’re going to like a few months or even a year from now. All of those unworn clothes start to take up precious space in your closet, but just throwing them out isn’t an option. So how do you clean out your closet AND find new clothes to add to your wardrobe that you WILL wear?
Here are a few swap rules…
Guests should arrive at 6pm for set up. Swapping will begin at 6:30pm once we’ve laid everything out.
Each garment that you bring is worth one token, which can be exchanged for something else. It’s a one for one concept that makes for easy swapping. Please bring your own shopping bags to take your new loot home!
If you pick it up and try it on first – it’s yours. This rule has always worked in every swap I’ve been to. If you love it too don’t get green-eyed – just get over it and find something else! There’s always plenty of clothes to go around!
We ask that everyone label their clothing by size [this can just be a paper or tag pinned to each garment [safety pins please!]
All clothing should be clean and free of stains, holes, or major damage. It’s true that “one man’s trash is another man’s treasure,” but no one wants to be stuck with actual trash.
Please if possible drop your garments off in the days leading up to the swap as this helps immensely with the setting up.
We hope to see you there!
Please note that the swap is BYO so please bring along either something to drink or some nibbles.
Leftover clothes will be upcycled in workshops or donated to charity.
THIS EVENT IS BY DONATION!
Please follow the Vimeo link to watch this fantastic video about Theatre Skam’s FASHION MACHINE! This was a collaboration made in heaven 🙂
We are celebrating the Victoria Jazz Festival by holding an art exhibition inspired by jazz! We are delighted to bring you the work of Isaac John Lewis for 2 weeks only. Isaac will be showcasing a brand new collection of paintings titled ‘Eight Jazz Love Songs’. We are so delighted to be hosting this exciting show during jazz fest!
Isaac John Lewis, painter from Cuba, his work is a tribute to 2 of the most enduring cuban legacies: its music and its architecture, his work show the beauty of decaying Havana, and music through jazz musicians, musical instruments, some paintings are just about jazz, specialy his jazz through glass series, they look like stain glass, others showing the old colorful walls, others a combination of both, but always you’ll get a look at Cuba.
Here are the opening times to view the exhibition.
Thursday June 20th – Official Opening 6-9pm [by invitation]
Friday June 21st – 2pm-8pm
Saturday June 22nd – 1pm-6pm
Sunday June 23rd – 11am – 4pm
Monday June 24th – 10am-6pm
Tuesday June 25th – 5:30pm – 8pm
Wednesday June 26th – 10am-6pm
Thursday June 27th – 10am-8pm
Friday June 28th – 2pm-8pm
Saturday June 29th – 10am-6pm
Sunday June 30th – 11am-4pm
Monday July 1st – CLOSED FOR CANADA DAY
Tuesday July 2nd – 10am-6pm
Wednesday July 3rd – 10am-6pm
Come and help us sew items requested by the local hospitals and care homes.
This is an opportunity to work together as a small group, making items in an assembly line fashion. All levels of sewing experience welcome. We will adapt patterns, measure, cut, pin, press, sew, and make bias binding. Example of items previously made: walker bags, ditty bags, tote bags for volunteer visitors, Christmas decorations, wheelchair lap blankets, volunteer aprons and PARTY mitts.
We accept donations of fabric suitable for the projects such as cotton, denim, canvas, and upholstery fabric sample books.
To confirm fabric donations please email Dela at firstname.lastname@example.org
Dela is a registered volunteer sewer at VGH and would like to pass on Sewing for Charity skills to others.
The next MAKE FOR CHARITY date will be August 28th [6pm-9pm]
by LIFE NOSTALGIC on APRIL 2, 2013
Slowly but surely, hats and fascinators seem to be making their way back onto modern noggins. Once an essential part of daily fashion, with the exception of baseball caps and winter headgear, they were relegated to the dress-up bin by the time I was growing up.
On second thought, I suppose there was that brief romance with the Blossom hat…but I’m not about to get even remotely misty-eyed about its demise.
Anyway, what I’m trying to say here is that hats are cool again, thanks in part to the royal wedding and thanks in another part to cranium-decor boredom. Scrunchies, banana clips and headbands could only sustain us for so long.
Last week, I had the pleasure of being invited to a Make Your Own Fascinator course at The Makehouse. I wasn’t quite sure what to expect, but I assumed glue guns and cheap feathers would be part of the equation.
This is Tierre Taylor, the professional milliner who teaches the course. She is – surprise! – extremely pro-hat and wears one practically every day.
Tierre’s fascinator course did not involve even one glue gun. Our fascinators were all sewn by hand, which resulted in what I can only expect will be a much longer lasting product. I recently bought a “fascinator” at a market and it fell apart before I even wore it once. I feel like such a schmuck now that I see how easily one can craft their own dazzling head bling!
There were three other girls in the class, none of which I’d met before but all were instantly friendly. Helga here wisely brought a dress to inspire her fascinator. What a great idea if you’re attending a fancy event!
Tierre comes with company – the “Susans,” as I have decided to call them. They’re cool vintage-looking heads upon which you model your fascinator. Makes so much more sense than awkwardly looking in a mirror and potentially stabbing your scalp with pins!
Tierre supplies all the materials and encourages her students to find an individual style.
We started by building a base with wool felt. The sky was the limit in terms of shape and colour. You can get really crazy with fascinators, as the princesses Beatrice and Eugenie are well aware.
Once we’d established our shapes, we chose our embellishments – lace, feathers, netting, beads, etc.
These were all hand-sewn onto the bases.
And…drumroll please…here are the results:
This might actually be the most fun I’ve ever had in a workshop. Making a fascinator was creatively satisfying and it brought out a bit of flamboyance in all of the participants. It was challenging but not frustrating, and the length of the workshop was perfect. I think everybody there had an absolute blast.
Get ready, Victoria, the fascinators are coming!
The next fascinator course at The Makehouse will take place on May 2.
by LIFE NOSTALGIC on MARCH 5, 2013
Week 1 of the “Simple Upholstery” course I’m taking at The Makehouse can be summarized by the following word: ICK!!!!!!!!
Not because of the course itself – oh no, so far it’s great fun.
But when you discover what kind of crusties are hiding beneath the cushion of an old chair, you may find yourself gagging, wincing and/or screaming.
Let me back up.
My project is to re-upholster these four dining room chairs. Two were given to me by my dad’s girlfriend and another matching pair were found at a garage sale. I also plan on refinishing them so that I’ll have a (mostly) matching set.
When I was in the UK in January I picked up this strawberry fabric from Cath Kidstonspecifically for this project (this exact pattern doesn’t seem to be available online but I absolutely love this and this too!). I know, I know – it’s white. Not exactly the best colour for what will essentially be an ass landing mat, but I will not be swayed! I figure I can always redo them once I learn the skills.
When I arrived, The Makehouse was bustling with activity, and three chairs were on the verge of going into surgery. Here they are with their respective surgeons:
Instructor Miro started by going around and giving us all an individual diagnosis. Some of us (me) have the unfortunate task of having to glue together some unstable aspects of our chairs between this week and next.
The universal first step, however, was peeling back the skin and seeing what gore lay beneath our seats. It was fascinating to see how much variation there was. This was the oldest chair in the course and it contained springs as well was horse hair.
Others found organic material (Miro said this stuff was similar to seaweed).
This disgusting foam looks more like a chunk of cinder toffee than anything.
Everyone had to painstakingly remove the tacks and/or staples that held the yucky old upholstery together.
Mine was by far the crappiest chair in the room and it took me a while to get over the profound chair envy. I have concocted a master plan to somehow acquire a better chair before the course is finished but for now I do need to get these chairs functioning.
Beneath the first layer of fabric was a 1960s-era fabric that had seen better days. My dad’s girlfriend had warned me about this – I bet she’s laughing now.
As I began lifting the tacks, a gross wave of crud started seeping out from beneath the fabric. I’m still not sure if it was dirt or disintegrated foam, and I’m not sure if I want to know!
Here’s the completed dissection – that’ll make you think twice about NOT recovering antique chairs.
Into the garbage it went, all of it.
My chairs have a plywood base, but those who had webbing tightened it up.
Everybody’s foam was toast – Miro is ordering up a slab of brand new foam and we’ll be diving into that next week. In the meantime, I’m looking at all chairs with suspicion.
If you live in Victoria and think you’d like to take this upholstery class, there’s one starting in April.
by LIFE NOSTALGIC on MARCH 1, 2013
Miro’s Short Biography
Originally from Léon in Spain, Miro came to Victoria at the tender age of 17 to romance the ladies (“people thought I was a gigolo”) and pursue a career in upholstery. He worked for Standard Furniture, The Empress Hotel (where he was head upholsterer) and Eatons before establishing his home studio. Just from my short chat with him, I could tell that Miro is severely allergic to shoddy upholstery jobs.
“Some people look at this chair and think: ‘that’s a piece of shit.’ UM, EXCUSE ME?! It’s hand carved and will last hundreds of years.”
“I don’t want to see anybody going bigger than this chair,” Miro says. “If you start too big, you will run into problems.”
He suggests starting your upholstery education with a dining chair, small stool or pillows. Sometimes people end up getting disappointed and frustrated when they find out they can’t work on a big puffy armchair in a course – the kind of work that would take an expert like Miro a whole week and cost around $1000!
“Being an upholsterer is like being an artist, it’s a very creative thing.”
If you need to refinish your project, you have to do it BEFORE the upholstery portion. (Guess what I’m doing this weekend?)
To upholster properly, you’d need all of these tools.
But let’s not get ahead of ourselves – there’s no way I am personally investing that much when I don’t even know if this might be my last as well as my first upholstery experience.
Miro says you can cheat and start off with a hammer, scissors, flat screwdriver and pliers. The only thing that might be a hassle is finding upholstery tacks – short/thin regular nails can be substituted.
“Buy good quality fabric that’s going to last,” Miro says.
You always have the option of using Scotchgard on the finished product as well.
Special thanks to Reb Stevenson from THE LIFE NOSTALGIC for her coverage of our new upholstery course!
Although The Makehouse is still a very new fixture in Victoria, our space has already been enhanced by some very generous and enthusiastic souls! Some might call them fairy godmothers, others would say they are angels, but one thing for sure is that we are so lucky to have these people in our lives!
It all started with the first article that appeared in the Times Colonist, which led to the telephone ringing several times with delighted Victorians offering their sewing machines, fabrics and haberdashery to help set up our studio. I met with several people in person, including a stop in Chemainus for tea to meet a lady called Bea who is now sadly unable to sew due to arthritis in her hands. Bea told me that when she saw the article she was so delighted that she finally had the answer to what she could do with the contents of her sewing room!
The article also led me to get to know Marilyn Vallance [pictured above], the first godmother to The Makehouse. Marilyn [a lifetime seamstress and crafter and serial networker] began to bring round very useful equipment and materials to the studio including ironing boards, fabrics, patterns and so much more. Marilyn continues to bring happiness [and small gifts, which are sometimes edible] whenever she visits and will soon be teaching a workshop in rug-hooking!
Shortly before moving into our Fort Street shop front, I exhibited at the Vancouver Island Mini Maker Faire held in North Saanich. It was there that I met our next godmother Dela Wilkins – a nurse, knitter, sewer and lifecare coach. Dela has been very generous in her donations of both useful equipment, materials and books, but also with her time. In fact Dela has also given her time by running the ‘Stitching Parlour’ sessions to give me a chance to travel to a family wedding! Here’s what Dela says about The Makehouse…
When I first met Jenny at the Maker Faire, my first thought was “Wow, what a great idea”. My next thought was “How can I support this, in every way?”
As a lifelong sewer, who also knits and crochets, I have often been asked to make things for others. My usual response is: I will help you make it. We would work on the project together, either at their home or in my sewing studio. It was a great way to visit with friends or get to know new people. When I lived in a small rural Ontario town, this was comfortable, as I knew everyone. In a city, this is more difficult.
Everyone has the ability to learn how to make things. What most people lack is the confidence to do it alone or for the first time. The Makehouse offers a welcome space for people to work on projects together until they gain confidence.
Dela Wilkins – February 8, 2013
More recently we’ve been awestruck at the love shown to us by Ed George. Ed and his wife were previous tenants at 833 Fort Street for over 15 years as Angela Fashions. They ran a bridal shop together, which was based in Oak Bay for many years before. Ed came to see me just before Christmas to deliver the sad news that his wife had passed away. He later told me that he would like to bring over some of the materials from her sewing studio. We are now housing an immense collection of patterns, beads, feathers, silks, art supplies and the list just goes on and on. We are so grateful for Ed’s generosity and for sharing his wisdom and stories of their life in business together in Victoria.
We’ve also had random donations from excited souls including the ladies from Satin Moon [our neighbours] and some of our students who just can’t help sharing! I still can’t believe how lucky we are to have so much support in such a short while. With our 6 month anniversary coming up on Friday March 1st, I want to say thanks again to Bea, Dela, Marilyn, Ed, my mother and father [who has helped with so many of my handy man needs on visits to Victoria!] and all of you wonderful people who have helped to make my dreams come true!
What a warm welcome back to Canada! I am truly touched.